Welcome, everyone, to a new column I like to call "I Call Bullshit!" For the inaugural post, I will be calling bullshit on everyone's least favorite droid, C3PO.
"But Dan," you may ask, "Doesn't C3PO get enough shit from Star Wars fans? Isn't he widely regarded as a useless and annoying albatross? Doesn't he even annoy this girl? Isn't Boba Fett awesome?" The answer to all of these questions is yes, however, in regards to the last question, if you're going to Comic Con, try to find a more creative costume. I am specifically calling bullshit on the one thing that C3PO is supposedly useful for, namely his position as a protocol droid.
A protocol droid's functions are to serve as a translator, from sentient beings to computers and from one sentient being to another. Let us address the function of translation from sentient being to computer first. Where should I begin with that one? How about with the fact that he doesn't do that? At all? In fact, it seems as though his only job in this regard is to yell at R2D2 to do things more quickly, such as shutting down all the trash compactors on the detention level, or jerry-rigging the blast doors at the alliance base on Endor. In fact, if it weren't for R2D2's ability to interface with those computers, the rebel alliance would have been royally fucked.
In regards to translation from sentient being to sentient being, C3PO is immensely proud of his talents, and is not averse to bragging.
He is, "Fluent in over six million forms of communication." According to the dictionary, "fluent" is described as "able to speak or write smoothly, easily, or readily." Witness the following exchange from Return of the Jedi:
Does that sound like someone who is "fluent" in Huttese? No. It sounds like I did in Rome after skimming through Level 1 of Rosetta Stone: Italian. That is, to say, far from fucking fluent! "But Dan," you say, "It's just because of his accent. He actually speaks very well." First of all, stop interrupting. Second of all, when people with heavy accents try to communicate, it becomes very difficult to understand, leading to situations in which two cappuccinos are ordered, but a mortadella panini is received instead. Delicious, but wrong. Since a protocol droid is in charge of making communication easier, one would think that it would be designed to facilitate aforementioned communication by eliminating his accent. He is, after all, a robot whose ONLY PURPOSE IS TO FACILITATE COMMUNICATION. In this scene, also from Jedi, C3PO recounts the previous films in Ewokese:
He seems slightly more comfortable with the language, however, he still has a strong accent. He is also able to MAKE SOUND EFFECTS. So let me get this straight: He is able to make accurate reproductions of a space battle, but can't do any accents whatsoever? What, was he programmed by a five-year-old?
Oh...
Ok, then here's another thing. Let's say that a five-year-old had the necessary midicholrians (ugh), general knowledge, and wherewithal to build and program a sentient robot. Sure, why not? Why would he choose to build a protocol droid? Literally the most boring robot imaginable. 100% of all other five-year-olds would build something awesome, like a battle mech, or even a cleaning bot. Even that would have been useful, seeing as he was A SLAVE at the time.
On Christopher “Ludacris” Bridges’ 2001 release, “Word of Mouf,” the artist encourages us to, “Read between the fine print, think about lyrical content.” With that in mind, I present these discussion questions.
1) Coming 2 America
a. Discuss the line “I pack more nuts than Delta Airlines” in light of post-9/11 security policies.
2) Rollout (My Business)
a. Examine the barrage of questions as it relates to the attainment of wealth for wealth’s sake, particularly the couplet, “Now tell me who's your housekeeper and what you keep in your house?/ What about diamonds and gold, is that what you keep in your mouf [sic]?”
b. Discuss Mr. Bridge’s commentary on traditional rhyme scheme in his choice of rhyming “bag” with “bag,” “room” with “room,” and “case” with “case.”
3) Go 2 Sleep
a. Making hoes “go to sleep” is a matter of great import to the “dirty south” community, as evidence by the appearance of no less than five guest MCs. Discuss the socioeconomic impact of the current lucidity of said hoes and its effect on “nuttin on yo sheets”
4) Cry Babies (Oh No)
a. Discuss the line, “I got people scared as fuck like when condoms break/ or how your heart deals with eating eighty pounds of steak” as it relates to the lack of proper healthcare in underprivileged neighborhoods.
5) She Said
a. Discuss the post-feminist ideals of empowerment through sexuality as it relates to the line “She said she couldn't see how women turn trick (turn trick)/ And couldn't picture tryna suck a nigga dick (suck a dick)”
6) Area Codes
a. How does Mr. Bridges relate having “hoes in different area codes” to the Freudian dichotomy of id and superego and its relation to the search for pleasure and the desire for personal fulfillment?
b. Discuss the line “7-1-8s, 2-0-2s/I send small cities and states I.O.Us” in light of the current administration’s economic stimulus initiatives.
7) Move Bitch
a. What are some of the possible reasons for the bitch‘s steadfast refusal to “get out the way”?
8) Get the F**k Back
a. Discuss the modern male’s unwillingness to confront physical pain as it relates to the line “Bitch, the whole town’s on my nut sack.”
-The stoning of Johnny Rubberskin by the townspeople of Glueville
-That time I was at this party and tried to wrangle a three-way but ended up getting too drunk and puked on my friend’s bonsai but it probably wouldn't have happened anyway because that one girl's all stuck-up plus I was really tired
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